Learning Photoshop {Again} #Touch

Upgraded the iPhone from PS-Express to the new PS-Touch App that was initially designed for iPad technology. Why?? Because it's Adobe!!

I thought it would be straight forward and me knowing PS like I do was not expecting having to look up tutorials. Surprise!! This old dog needs to know a few new tricks! And which icons represent my beloved methods of magic that I like to utilize on my art.

Yippee for online tutorials!

Good Day... Better Design!

In prepping for the debut of my expedition into teaching art- I discover (once again like all the great masters) that an artist will never completely finish a design or lay-out.

There's ALWAYS something that can be

• tweaked,
• enhanced
• or omitted

to the Nth degree.

While the differences are subtle- they ARE what makes for

GOOD DESIGN!

In any piece of art (be it digital or traditional mediums) judicious use of

• space,
• color,
• imagery
• and text

can make all the difference and ultimately make or break the composition.

Thus... here's one of the early versions of the flyer and I plan on using this as a visual illustration for class participants.

Notice the word "Today". While I've mimicked the font-typeface of the word "Learn" it's not sending a commanding tone to the word and giving it the emphasis it needs to be a directive. I still have a slight misgiving about the choice of capitalizing only the first letter of the word and using lower case for the rest but since the word "Photoshop" needs to be all caps as a nod to the actual packaging of the software- it gets sort of lost when I do that. So- I increased the orange tones on the brushwork color underneath the word to make it stand out a little more.

In both versions I kept my name and the name of my Design Studio in the same font but altered the lines that they appear on and the spacing of the layer shadow to "unmuddy" the appearance and changed the inner glow to a favorite reddish-magenta color on my name only. The word "Instructor" is changed from the Chopin typeface to the more formal Georgia font because use of the more scroll"y" font is saved for just the more idealistic portion of the message. In other words the terms "Learn" and my name(s) are therefore showy but not the main emphasis.

Too the layer shadow-work on the text containing the WWHW info is spread wider and the inner glow of the letter work is increased to make it pop from the green paint spills underneath (in the lower right hand corner).

All this critique and dissecting of design is part and parcel of what I'll be touching on in the 6 week workshop. Spaces are limited- sign up now by calling Stephanie Smith at the SmithZonian Art Center, 612 Maine Street; 870.403.6936. Classes are on Wednesdays 11A-12:30P, March 30th-May4th, 2011.